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In these eleven, extraordinarily unique stories, the author offers us human experiences of unusual intensity. The last time an exile sees the the city he grew up in. The last time we see the person who was perhaps destined to share our lives, but who, by some cosmic error, will not.
'This is the story of Victoria the cow: the cow died and that was the end of the story.' That's how the popular story goes, and it's only slightly longer than the story of the dinosaur from Monterroso.
The night is huge and structureless. But it is punctuated by our hearts. It's mid-afternoon, the weather is good, father rolls up his shirt sleeves. A dog barks outside, the elm trees rustle, the tap in the bathroom drips. I can hear banging as my brother mucks around in the workshop in the garden. Mama is downstairs running the shop, or rather waiting for the first customer of the afternoon.
What would you do if you discovered that you have superpowers and your best friends also have strange talents and your greatest enemy is the Devil? That's what happened to me, and I went from being the least popular boy in my school to being the most hunted half-angel in the underworld.
A semi-autobiographical novel, stirred by the stigma of an amour fou for an older, alcoholic man, The Prodigy Girls is also a comedy in several acts, and a tale with hints of gothic horror. But above all, it is a contemporary story about identity that begins in an imperfect present and passes back through all the ages of a woman.
There are as many stories as there are words and voices inside people. There are as many poems as there are sounds and colours in nature. So what happens when a poem gets inside a story? Suddenly, a legend appears.
Toni feels that he is a writer who never writes and a teacher who never teaches. He grew up reading adventure stories such as the Famous Five series by Enid Blyton, which offered him something 1970s Spain could not: unsupervised fun and freedom of movement, in other words the boundless world he yearned for in the vital transition to adolescence.
The purest of oral African traditions, known as Nisintory, evoking the collective action of telling and listening to stories, displays all its magic and luminosity in Fumilayo Johnson's stories.
Nuria's teacher has given her a box of silkworms to look after. Little by little she learns what they are like, what they eat and how to look after them so that they grow and are healthy, as well as the process by which silk cocoons are made and how the worms become butterflies.
Abril and Xalaquia have a lot in common. They have both recently turned sixteen. They both want to be the mistresses of their own destinies. And they are both about to see their lives change for ever. They are separated only by time and space: Tenochtitlan in the sixteenth century and Madrid in the twenty-first century.